MIDI implementation details for the UDO Audio Super Gemini (Super 8).
Last update: January 6, 2026 • 106 parameters
Contributions welcome! You can email us your edited CSV if you don't want to use GitHub.
The Super Gemini's MIDI implementation and the Super 8's MIDI implementation are almost identical. This definition assumes the Super Gemini; the Super 8's few exceptions are called out in the parameter notes, where necessary.
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Waveform | 29 | [0–107] |
0: Sine; 21: Sawtooth; 43: Square; 64: Triangle; 85: White noise; 107: Alternative waveform
|
0-based |
| Range | 30 | [0–107] |
0: 64'; 21: 32'; 43: 16'; 64: 8'; 85: 4'; 107: 2'
|
0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Waveform | 31 | [0–107] |
0: Sine; 21: Sawtooth; 43: Square; 64: Triangle; 85: White noise; 107: Alternative waveform
|
0-based |
| Range | 106 | [0–107] |
0: LFO; 21: 32'; 43: 16'; 64: 8'; 85: 4'; 107: 2'
|
0-based |
| Tune | 35 | [0–127] | — | 0-based |
| Mode | 36 | [0–85] |
0: Norm / Sub osc off; 43: Ring / Sub osc square; 85: Sync / Sub osc sine
|
0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Modulator destination | 23 | [0–85] |
0: DDS 1; 43: Both; 85: DDS 2
|
0-based |
| LFO 1 amount | 21 | [0–127] | — | 0-based |
| Envelope 1 amount | 22 | [0–127] | — | 0-based |
| LFO 2 amount | 70 | [0–127] | — | 0-based |
| Cross modulation | 28 | [0–127] | — | 0-based |
| PW / Detune | 25 | [0–127] | — | 0-based |
| PWM / Wave modulation | 26 | [0–127] | — | 0-based |
| PWM / Wave modulation source | 27 | [0–85] |
0: Manual; 43: LFO 1; 85: Envelope 1
|
0-based |
| Pitch bend amount | 76 | [0–127] | — | 0-based |
| Drift | 94 | [0–127] | — | 0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Delay time | 12 | [0–127] | — | 0-based |
| Delay feedback | 13 | [0–127] | — | 0-based |
| Delay freeze | 69 | [0–64] |
0: Off; 64: On
|
0-based |
| Delay send | 91 | [0–127] | — | 0-based |
| Chorus | 93 | [0–96] |
0: Off; 32: Chorus 1; 64: Chorus 2; 96: Chorus 1 & 2
|
0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Mode | 50 | [0–85] |
0: Normal; 43: Inverted; 85: Loop
|
0-based |
| Keytrack | 51 | [0–85] |
0: Off; 43: 1/2; 85: On
|
0-based |
| Attack hold | 52 | [0–127] | — | 0-based |
| Attack | 53 | [0–127] | — | 0-based |
| Decay | 54 | [0–127] | — | 0-based |
| Decay hold | 32 | [0–127] | — | 0-based |
| Sustain | 55 | [0–127] | — | 0-based |
| Release | 56 | [0–127] | — | 0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Attack | 73 | [0–127] | — | 0-based |
| Decay | 57 | [0–127] | — | 0-based |
| Decay hold | 33 | [0–127] | — | 0-based |
| Sustain | 58 | [0–127] | — | 0-based |
| Release | 72 | [0–127] | — | 0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Waveform / HF mode | 16 | [0–107] |
0: Triangle; 21: Rev sawtooth; 43: Random; 64: Square; 85: HF; 107: HF TRK
|
0-based |
| Rate | 17 | [0–127] | — | 0-based |
| Delay | 18 | [0–127] | — | 0-based |
| LR phase / pan spread | 19 | [0–127] | — | Centered |
| Mode | 20 | [0–127] | — | 0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Trigger source | 60 | [0–85] |
0: Trig; 43: AT + Trig; 85: LFO 2 On / AT to bend
|
0-based |
| Rate | 62 | [0–127] | — | 0-based |
| Delay | 63 | [0–127] | — | 0-based |
| Waveform | 105 | [0–107] |
0: Sine; 21: Rev sawtooth; 43: Sample & hold; 64: Square; 85: Sawtooth; 107: Noise
|
0-based |
| Rate modulation | 110 | [0–127] | — | 0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Sequence load | 14 | [0–15] | — | 0-based |
| Arpeggiator range | 82 | [0–96] |
0: 1 octave; 32: 2 octaves; 64: 3 octaves; 96: 4 octaves
|
0-based |
| Arpeggiator / Sequencer swing | 83 | [0–102] |
0: Swing 0; 26: Swing 1; 51: Swing 2; 77: Swing 3; 102: Swing 4
|
0-based |
| Arpeggiator / Sequencer external clock | 84 | [0–64] |
0: Off; 64: On
|
0-based |
| Arpeggiator / Sequencer mode | 85 | [0–102] |
0: Up; 26: Down; 51: Up & Down; 77: Random; 102: Sequencer
|
0-based |
| Arpeggiator / Sequencer on/off | 86 | [0–64] |
0: Off; 64: On
|
0-based |
| Arpeggiator / Sequencer hold | 87 | [0–64] |
0: Off; 64: On
|
0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| VCA envelope level | 7 | [0–127] | — | 0-based |
| VCA LFO 2 amount | 42 | [0–127] | — | 0-based |
| VCA dynamics | 48 | [0–85] |
0: Off; 43: 1/2; 85: On
|
0-based |
| VCA envelope mode | 49 | [0–85] |
0: Env 2; 43: Fixed envelope 1; 85: Fixed envelope 2
|
0-based |
| VCA LFO 1 amount | 92 | [0–127] | — | 0-based |
| VCA DDS 2 amount | 109 | [0–127] | — | 0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Filter cutoff frequency | 74 | [0–127] | — | 0-based |
| Resonance | 71 | [0–127] | — | 0-based |
| Drive | 41 | [0–85] |
0: Off; 43: 1; 85: 2
|
0-based |
| Keytrack | 43 | [0–85] |
0: Off; 43: 1/2; 85: On
|
0-based |
| Envelope source | 44 | [0–85] |
0: Env 1; 43: 1 + 2; 85: Env 2
|
0-based |
| Envelope amount | 45 | [0–127] | — | 0-based |
| LFO 1 amount | 46 | [0–127] | — | 0-based |
| DDS 2 amount | 47 | [0–127] | — | 0-based |
| LFO 2 amount | 75 | [0–127] | — | 0-based |
| Pitch bend amount | 77 | [0–127] | — | 0-based |
| HPF cutoff frequency | 95 | [0–127] | — | 0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Tempo | 3 | [0–127] | — | 0-based |
| Clock sync | 81 | [0–64] |
0: Off; 64: On
|
0-based |
| Clock divider | 107 | [0–102] |
0: Whole notes; 16: Half notes; 32: Quarter notes; 48: Eighth notes; 64: Sixteenth noets; 70: Thirty-second notes; 96: Quarter notes triplets; 102: Eighth notes triplets
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Modulation lever | 1 | [0–127] | — | — | 0-based |
| Ribbon coarse | 2 | [0–127] | — |
Note: Super Gemini only.
|
0-based |
| Ribbon fine | 34 | [0–127] | — |
Note: Super Gemini only.
|
0-based |
| Foot controller | 4 | [0–127] | — | — | 0-based |
| Mod amount / Fine adjust | 9 | [0–127] | — | — | 0-based |
| Expression | 11 | [0–127] | — | — | 0-based |
| Performance control destination | 61 | [0–85] |
0: DDS 1; 43: 1 + 2; 85: DDS 2
|
— | 0-based |
| Sustain pedal | 64 | [0–64] |
0: Off; 64: On
|
— | 0-based |
| Octave select | 67 | [0–102] |
0: -2; 26: -1; 51: 0; 77: +1; 102: +2
|
— | Centered |
| Performance detune | 111 | [0–127] | — |
Note: On Super 8, CC 111 is receive only.
|
0-based |
| Parameter | CC MSB | CC LSB | Range | Usage | Orientation |
|---|---|---|---|---|---|
| Bank select | 0 | — | [0–127] | — | 0-based |
| Portamento time | 5 | — | [0–127] | — | 0-based |
| Data entry | 6 | 38 | [0–16383] | — | 0-based |
| Portamento layer select | 65 | — | [0–85] |
0: Both; 43: Lower; 85: Upper
|
0-based |
| Data increment | 96 | — | — | — | 0-based |
| Data decrement | 97 | — | — | — | 0-based |
| NRPN | 99 | 98 | [0–16383] | — | 0-based |
| RPN | 101 | 100 | [0–16383] | — | 0-based |
| Modulation layer | 104 | — | [0–85] |
0: Both; 43: Lower; 85: Upper
|
0-based |
| All sound off | 120 | — | [0–0] | — | 0-based |
| Reset all controllers | 121 | — | [0–0] | — | 0-based |
| Local control on/off | 122 | — | [0–64] |
0: Off; 64: On
|
0-based |
| All notes off | 123 | — | [0–0] | — | 0-based |
| Omni mode off | 124 | — | [0–0] | — | 0-based |
| Omni mode on | 125 | — | [0–0] | — | 0-based |
| Mono mode on | 126 | — | [0–0] | — | 0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Pan | 10 | [0–127] | — | 0-based |
| Oscillator mix | 37 | [0–127] | — | 0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Super mode | 24 | [0–85] |
0: Off; 43: 1/2; 85: On
|
— | 0-based |
| Manual mode | 59 | [64–64] |
64: On
|
— | 0-based |
| Binaural mode | 80 | [0–64] |
0: Off; 64: On
|
— | 0-based |
| Lower layer detune | 108 | [0–127] | — |
Note: On Super 8, CC 108 sets layer detune.
|
0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Voice assign mode | 78 | [0–96] |
0: Solo; 32: Legato; 64: Poly 1; 96: Poly 2
|
0-based |
| Unison size | 79 | [1–4] |
1: Half of all available voices; 2: All available voices; 3: Octave; 4: Fifth + octave
|
0-based |
| Poly mode on | 127 | [0–0] | — | 0-based |
The portions of this library that refer to specific devices may be owned by the devices' respective manufacturers. Everything else is licensed under the Creative Commons Attribution Share Alike 4.0 International license.