MIDI implementation details for the Strymon TimeLine.
Last update: December 1, 2025 • 61 parameters
Contributions welcome! You can email us your edited CSV if you don't want to use GitHub.
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Time | 3 | [0–127] |
0~127: Delay time
|
Delay time (fine adjust via VALUE encoder)
|
0-based |
| Repeats | 9 | [0–127] |
0~127: Feedback amount
|
Feedback level (number of repeats)
|
0-based |
| Mix | 14 | [0–127] |
0~127: Wet level
|
Analog wet/dry mix
|
0-based |
| Filter | 15 | [0–127] |
0~127: Filter amount / voicing
|
Tone/EQ for repeats (mode-dependent)
|
0-based |
| Grit | 16 | [0–127] |
0~127: Grit / coloration
|
Adds distortion/artifacts (mode-dependent)
|
0-based |
| Speed | 17 | [0–127] |
0~127: Mod speed
|
Modulation rate (mode-dependent)
|
0-based |
| Depth | 18 | [0–127] |
0~127: Mod depth
|
Modulation intensity (mode-dependent)
|
0-based |
| Type (algorithm select) | 19 | [0–11] |
0-11: Select delay machine
|
Selects delay machine (12 types)
Note: Exact value:type order is not specified in the manual; typically follows the front-panel order. |
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Tap Division | 21 | [0–4] |
0: Quarter; 1: Dotted Eighth; 2: Eighth; 3: Triplets; 4: Sixteenth
|
Subdivision for tap tempo
|
0-based |
| Persist (Trails) | 22 | [0–1] |
0: Off; 1: On
|
Delay trails spillover when bypassed
|
0-based |
| Boost | 23 | [0–60] |
0~60: -3 dB to +3 dB
|
+/-3 dB output level trim per preset
Note: Midpoint, approx. unity (0 dB). |
Centered |
| Smear | 38 | [0–18] |
0~18: Smear amount
|
Softens attack of repeats
|
0-based |
| High Pass | 47 | [0–20] |
0~20: HPF amount
|
Post-delay high-pass filter
|
0-based |
| Expression Enable | 60 | [0–1] |
0: Off; 1: On
|
Enable/disable EXP per preset
|
0-based |
| MIDI Clock | 63 | [0–1] |
0: Off; 1: On
|
Per-preset external MIDI clock follow
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Tape Speed | 58 | [0–1] |
0: Normal; 1: Fast
|
Normal or Fast tape speed
|
0-based |
| Low End Contour | 59 | [0–20] |
0~20: Low-end contour amount
|
Low-end contour / progressive HP
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Range | 45 | [0–1] |
0: Single; 1: Double
|
Single or Double BBD range
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Repeat Dynamics | 56 | [0–1] |
0: Off; 1: On
|
Nonlinear decay of repeats
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Time 2 Ratio | 32 | [0–26] |
0-26: Select ratio
|
Delay 2 time ratio vs Delay 1
Note: Ratios span 1/8 to 7/1 in ordered steps. |
0-based |
| Repeats 2 | 34 | [0–18] |
0~18: Repeats 2 amount
|
Delay 2 repeats (or Track)
Note: When set to TRACK it follows Repeats knob; discrete "Track" value not specified. |
0-based |
| Mix 2 | 33 | [0–18] |
0~18: Mix 2 level
|
Delay 2 mix (or Track)
Note: When set to TRACK it follows Mix knob; discrete "Track" value not specified. |
0-based |
| Configuration | 36 | [0–1] |
0: Series; 1: Parallel
|
Series or Parallel routing
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Pattern | 39 | [0–15] |
0-15: Pattern 1-16
|
Selects delay tap pattern (1-16)
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Rise Time | 44 | [0–27] |
0~27: Rise time
|
Swell attack time (seconds)
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Speed Ratio | 61 | [0–34] |
0-34: Speed ratio (1/32 to 32/1)
|
Trem LFO speed vs delay time
|
0-based |
| Depth | 57 | [0–18] |
0~18: Depth amount
|
Trem LFO depth
|
0-based |
| LFO Shape | 29 | [0–4] |
0: Triangle; 1: Square; 2: Sine; 3: Ramp; 4: Saw
|
Waveform for tremolo
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Q (Resonance) | 40 | [0–11] |
0~11: Q amount
|
Filter resonance
|
0-based |
| LFO Shape | 28 | [0–10] |
0: +Triangle; 1: -Triangle; 2: -Square; 3: +Square; 4: -Sine, 5: +Sine; 6: Ramp; 7: Down; 8: Up; 9: Saw; 10: Random
|
Waveform / polarity for filter sweep
|
0-based |
| Depth | 41 | [0–18] |
0~18: Depth amount
|
Filter sweep depth
|
0-based |
| Speed Ratio | 42 | [0–34] |
0-34: Speed ratio (1/32 to 32/1)
|
Filter LFO speed vs delay time
|
0-based |
| Location | 43 | [0–1] |
0: Pre; 1: Post
|
Filter pre/post delay
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Mix | 51 | [0–20] |
0~20: Lo-Fi mix
|
Mix of lo-fi processed vs full-res signal
|
0-based |
| Vinyl | 52 | [0–18] |
0~18: Vinyl amount
|
dVinyl dust/scratch amount
|
0-based |
| Sample Rate | 49 | [0–20] |
0~20: 96 kHz to 750 Hz
|
Delay line sample rate
|
0-based |
| Bit Depth | 50 | [0–20] |
0~20: 32-bit to 4-bit
|
Quantization bits
|
0-based |
| Filter Shape | 53 | [0–8] |
0: Off; 1: Portable Vintage Amp; 2: Victrola Phonograph; 3: 70s Clock Radio; 4: Bullhorn Megaphone; 5: Cheerleader's Plastic Megaphone; 6: Antique Telephone Earpiece; 7: Cell Phone; 8: Apartment Intercom
|
Phone/amp filter models
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Interval | 30 | [0–29] |
0: -Oct; 1: -Maj7; 2: -min7; 3: -Maj6; 4: -min6; 5: -P5; 6: -min3; 7: -Maj2; 8: +Maj2; 9: +min3; 10: +Maj3; 11: +P4; 12: +Tritone; 13: +min7; 14: +Maj7; 15: +Oct; 16: +Oct+5th; 17: +2 Oct; 18: -Tritone; 19: -P4; 20: -Maj3; 21: -min2; 22: -50c; 23: -25c; 24: +25c; 25: +50c; 26: +min2; 27: +P5; 28: +min6; 29: +Maj6
|
Pitch interval (-1 to +2 oct)
|
0-based |
| Slice | 46 | [0–2] |
0: Short; 1: Medium; 2: Long
|
Slice size (scales with delay time)
|
0-based |
| Blend | 25 | [0–20] |
0~20: Blend amount
|
Blend between Dry/Ice on delay line
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Sensitivity | 37 | [0–17] |
0~17: Sensitivity
|
Ducking sensitivity
|
0-based |
| Release | 55 | [0–20] |
0~20: Release time
|
Release time for ducking
|
0-based |
| Feedback ducking | 54 | [0–1] |
0: Normal; 1: Gate
|
Ducks feedback while playing
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Record | 87 | [0–127] |
0-127: Trigger
|
Start/Overdub record
|
0-based |
| Play | 86 | [0–127] |
0-127: Trigger
|
Start/Restart playback
|
0-based |
| Stop | 85 | [0–127] |
0-127: Trigger
|
Stop playback
|
0-based |
| Reverse (toggle) | 94 | [0–127] |
0-127: Toggle
|
Reverse on/off
|
0-based |
| Half Speed (toggle) | 95 | [0–127] |
0-127: Toggle
|
Half/Full speed
|
0-based |
| Pre/Post (toggle) | 96 | [0–127] |
0-127: Toggle
|
Looper pre/post delay
|
0-based |
| Undo (to initial) | 89 | [0–127] |
0-127: Trigger
|
Undo to initial loop
|
0-based |
| Redo | 90 | [0–127] |
0-127: Trigger
|
Redo last undo
|
0-based |
| Looper Level | 98 | [0–127] |
0~127: Level
|
Looper output level
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Footswitch A | 80 | [0–127] |
0: Down; 127: Up
|
Front-panel A footswitch (down/up)
|
0-based |
| Footswitch B | 82 | [0–127] |
0: Down; 127: Up
|
Front-panel B footswitch (down/up)
|
0-based |
| Tap Footswitch | 81 | [0–127] |
0: Off; 127: On
|
Front-panel TAP (off/on)
|
0-based |
| Remote Tap | 93 | [0–127] |
0-127: Tap
|
Remote tap tempo
|
0-based |
| Expression Pedal | 100 | [0–127] |
0~127: Expression position
|
Expression value (heel to toe)
|
0-based |
| Bypass | 102 | [0–127] |
0: Bypass; 127: Engage
|
Effect bypass/engage
|
0-based |
| Phase Reset | 125 | [0–127] |
0-127: Reset
|
Reset modulation phase
|
0-based |
| MIDI Bank Select (MSB) | 0 | [0–1] |
0: Bank 0 (00A-63B); 1: Bank 1 (64A-99B)
|
Select preset bank group
|
0-based |
This dataset is provided under the Creative Commons Attribution Share Alike 4.0 International license.