Name: Plinky Plinky MIDI implementation
Creator: MIDI CC & NRPN database
License: https://github.com/pencilresearch/midi/blob/main/LICENSE

Oscillator

Parameter	CC	Range	Usage	Description	Orientation
Shape	13	[0–127]	0~63: Square with PWM; 64: Saw; 65~127: Wavetable	Sets the shape of the oscillators	Centered
Distortion	4	[0–127]	0~64: Attenuation; 65~127: Distortion	Distortion amount to the oscillators Note: -100 to 100. Negative values are attenuation	Centered
Pitch	9	[0–127]	0~127: Oscillators pitch	Fine tune of the pitch Note: 0 is set to C	Centered
Interval	14	[0–127]	0~127: Osc intervals	Sets the tuning interval between oscillators Note: -1 to +1 octaves	Centered
Noise level	2	[0–127]	0~127: Noise amount	Adds noise to the oscillators	0-based
Glide	5	[0–127]	0~127: Glide amount	Controls the speed of the portamento	0-based
Resonance	71	[0–127]	0~127: Resonance amount	Adds resonance to the LPG filter	0-based

Arpeggiator

Parameter	CC	Range	Usage	Description	Orientation
Latch	101	[0–127]	0-8: Latch off; 9-127: Latch on	Set the oscillator to latch mode (always on) Note: Switch Latch on and send in V/oct pitch CV and Gate signals if you want to use it like an oscillator	0-based
On/off	102	[0–127]	0-8: Arp off; 9-127: Arp on	Enables the arpeggiator	0-based
Order	103	[0–127]	0~127: Change arp play order	Selects the arpeggiator pattern	0-based
Clock division	104	[0–127]	0~63: Unquantized; 64~127: Synched in 32 divisions	Sets the speed of the arpeggiator Note: Negative numbers are unquantized, positive numbers divide a 32nd note clock	Centered
Chance	105	[0–127]	0~127: Arp probability or euclidian length	Sets the probability of the arpeggiator progressing on each tick of its clock Note: If the euclidean length parameter is 0 this is a true random probability, otherwise it's the density of a euclidean rhythm.	0-based
Euclid length	106	[0–127]	0~63: Steps negative values; 64: True random; 65~127: Positive values	Sets the length of the euclidean pattern Note: Negative values treat rests differently	Centered
Octaves	107	[0–127]	0~127: Arp octaves	Sets the octave range of the arpeggiator Note: 1 to 5	0-based

Sequencer

Parameter	CC	Range	Usage	Description	Orientation
Order	108	[0–127]	0~127: Sequencer play mode	Sets the order of the steps played by the sequencer	0-based
Clock division	109	[0–127]	0~127: Sequencer clock division	Sets the clock division of the sequencer Note: Last one is advance by gate CV	0-based
Chance	110	[0–127]	0~127: Sequencer probability	Sets the probability of the sequencer progressing on each tick of its clock Note: If the euclidean length parameter is 0 this is a true random probability, otherwise it's the density of a euclidean rhythm.	0-based
Euclid length	111	[0–127]	0~63: Steps negative values; 64: True random; 65~127: Positive values	Sets the length of the euclidean pattern Note: Negative values treat rests differently	Centered
Gate length	11	[0–127]	0~127: Gate length	Sets the length of the gate of each step	0-based
Pattern	83	[0–127]	0~127: Select from pattern 1 to 24	Selects the sequencer pattern	0-based
Steps	85	[0–127]	0~127: Sequencer start offset	Offsets the starting point of the sequencer Note: Negative values select from previous steps	Centered

Envelope 1

Parameter	CC	Range	Usage	Description	Orientation
Sensitivity (LPF amount)	3	[0–127]	0~127: Filter max frequency	Max amount of pressure and env 1 to LPG frequency	0-based
Attack	73	[0–127]	0~127: Env1 attack	Sets the attack of envelope 1	0-based
Decay	75	[0–127]	0~127: Env1 decay	Sets the decay of envelope 1	0-based
Sustain	74	[0–127]	0~127: Env1 sustain	Sets the sustain of envelope 1	0-based
Release	72	[0–127]	0~127: Env1 release	Sets the release of envelope 1	0-based

Envelope 2

Parameter	CC	Range	Usage	Description	Orientation
Level	19	[0–127]	0~127: Env2 level	Sets the peak level of envelope 2	0-based
Attack	20	[0–127]	0~127: Env2 release	Sets the attack of envelope 2	0-based
Decay	21	[0–127]	0~127: Env2 decay	Sets the decay of envelope 2	0-based
Sustain	22	[0–127]	0~127: Env2 sustain	Sets the sustain of envelope 2	0-based
Release	23	[0–127]	0~127: Env2 release	Sets the release of envelope 2	0-based

Delay

Parameter	CC	Range	Usage	Description	Orientation
Delay send amt	94	[0–127]	0~127: Delay send	Amount of dry sound sent to delay FX	0-based
Delay time	12	[0–127]	0~63: Synched; 64~127: Free running	Time between each echo Note: Positive values are unquantized, negative values are multiples of the current tempo	Centered
Delay pingpong	112	[0–127]	0~127: Delay ping pong	Offsets the interval between left and right echo Note: Moves the right tap to early time	0-based
Delay wobble	113	[0–127]	0~127: Delay wobble	Amount of simulated tape speed wobble	0-based
Delay feedback amt	95	[0–127]	0~127: Delay feedback amount	Amount of feedback in the delay	0-based

Modulation A B

Parameter	CC	Range	Usage	Description	Orientation
A Offset	26	[0–127]	0~127: Modulator A offset	Offsets the base value of the modulator Note: Negative values apply negative offset	Centered
A Depth	25	[0–127]	0~127: LFO A depth	Sets the amount of LFO in the modulator Note: Negative values invert the LFO	Centered
A Rate	24	[0–127]	0~127: LFO A rate	Controls the rate of the internal LFO	Centered
B Offset	29	[0–127]	0~127: Modulator B offset	Offsets the base value of the modulator Note: Negative values apply negative offset	Centered
B Depth	28	[0–127]	0~127: LFO B depth	Sets the amount of LFO in the modulator Note: negative values invert the LFO	Centered
B Rate	27	[0–127]	0~127: LFO B rate	Controls the rate of the internal LFO	Centered

Modulation X Y

Parameter	CC	Range	Usage	Description	Orientation
X Rate	76	[0–127]	0~127: LFO X rate	Controls the rate of the internal LFO	Centered
X Depth	77	[0–127]	0~127: LFO X depth	Sets the amount of LFO in the modulator Note: Negative values invert the LFO	Centered
X Offset	78	[0–127]	0~127: Modulator X offset	Offsets the base value of the modulator Note: Negative values apply negative offset	Centered
Y Rate	79	[0–127]	0~127: LFO Y rate	Controls the rate of the internal LFO	Centered
Y Depth	80	[0–127]	0~127: LFO Y depth	Sets the amount of LFO in the modulator Note: Negative values invert the LFO	Centered
Y Offset	81	[0–127]	0~127: Modulator Y offset	Offsets the base value of the modulator	Centered

Reverb

Parameter	CC	Range	Usage	Description	Orientation
Reverb send amt	91	[0–127]	0~127: Reverb send	Amount of the dry sound sent to the Reverb unit	0-based
Reverb time	92	[0–127]	0~127: Reverb time	Controls the length of the decay of the Reverb	0-based
Reverb shimmer	93	[0–127]	0~127: Reverb shimmer	Amount of octave-up signal that is fed into the reverb	0-based
Reverb wobble	114	[0–127]	0~127: Reverb wobble	Amount of simulated tape speed wobble	0-based

Sampler

Parameter	CC	Range	Usage	Description	Orientation
Scrub	15	[0–127]	0~127: Sample start	Controls the starting point of the sample playback Note: Start is relative to the slice point	0-based
Grain size	16	[0–127]	0~127: Grain size	Sets the size of the grains	0-based
Play speed	17	[0–127]	0~127: -200% to 200% speed	Determines at what relative speed the sample is played back Note: Pitch is affected. Value is percentage of default speed	Centered
Timestretch	18	[0–127]	0~127: -200% to 200% speed	Determines at what relative speed the sample is played back Note: Pitch is not affected	Centered
Sample	82	[0–127]	0-14: Sampler off; 14~127: Sample select	Controls which sample is being played	0-based

Sampler Jitter

Parameter	CC	Range	Usage	Description	Orientation
Jitter position	116	[0–127]	0~127: Scrub jitter	Adds an amount of randomness to the sample playback position	0-based
Jitter grain size	117	[0–127]	0~127: Grain size jitter	Adds an amount of randomness to the sample grain size	0-based
Jitter play speed	118	[0–127]	0~127: Play speed jitter	Adds an amount of randomness to the sample playback speed	0-based

Mixer

Parameter	CC	Range	Usage	Description	Orientation
External in volume	89	[0–127]	0~127: External in level	Sets the gain level of the external audio inputs	0-based
External in wet/dry	90	[0–127]	0~127: External Wet/dry mix	Sets the balance between the external in dry signal and internal fx processing external signal	Centered
HPF amount	31	[0–127]	0~127: HiPass amount	Amount of high pass filtering on output	0-based
Synth Level	7	[0–127]	0~127: Synth level	Set the level of synth/sampler Note: After 50%, limiter is engaged	0-based
Wet / Dry	8	[0–127]	0~127: Wet/dry mix	Sets the balance between the dry signal and internal fx Note: 100 is completely wet and -100 is completely dry	Centered

Plinky Plinky MIDI CCs & NRPNs