Diagram of the front panel of the Moog Muse
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Moog Muse MIDI CCs & NRPNs

MIDI implementation details for the Moog Muse

Contributions welcome! You can email us your edited CSV if you don't want to use GitHub.

General

Parameter CC Range Usage Description Orientation
Mod Wheel 1 [0–127] —
The modulation wheel is typically used to control the amount of modulation in a patch
Note: The mod wheel can be freely assigned as both modulation source and modulation controller via the assignable controllers section and the mod map
0-based
Mute 3 [0–127]
0-63: Off; 64-127: On
Clickless muting of Muse's MAIN OUT signal
0-based
Glide Time 5 [0–127] —
Increasing the glide control will increase the amount of time it takes to move from one note to the next, creating a portamento effect
0-based
Timbre Volume 7 [0–127] —
Volume control for the currently active timbre (A/B) before it reaches the voice summing busses
0-based
Low Cut 8 [0–127] — — 0-based
Pan Spread 9 [0–127] —
Spreads allocated voices apart giving a wider feel to the stereo image
0-based
Pan 10 [0–127] —
Bipolar control for manual adjustment of the pan-position of the currently active timbre (A/B) in the stereo field
0-based
Expression 11 [0–127] — — 0-based
LFO 1 Rate 12 [0–127] —
Controls the frequency of LFO 1
Note: The range of this knob defaults to 0.01 Hz–40.00 Hz but has a maximum range of 0.00 Hz – 1.00 kHz (configurable in MORE menu)
0-based
LFO 1 Amount 13 [0–127] — — 0-based
LFO 1 Waveform 14 [0–127]
0-24: Triangle; 25-49: Saw; 50-74: Square; 75-99: Random; 100-127: User Wave
Selects the wave shape of LFO 1
0-based
LFO 2 Rate 15 [0–127] —
Controls the frequency of LFO 2
Note: The range of this knob defaults to 0.01 Hz–40.00 Hz but has a maximum range of 0.00 Hz – 1.00 kHz (configurable in MORE menu)
0-based
LFO 2 Amount 16 [0–127] — — 0-based
LFO 2 Waveform 17 [0–127]
0-24: Triangle; 25-49: Saw; 50-74: Square; 75-99: Random; 100-127: User Wave
Selects the wave shape of LFO 2
0-based
Pitch LFO Rate 18 [0–127] —
Control the frequency of the PITCH LFO
Note: The range of this knob defaults to 0.01 Hz–40.00 Hz but has a maximum range of 0.00 Hz – 1.00 kHz (configurable in MORE menu)
0-based
Pitch LFO Shape 19 [0–127] —
Bipolar control adjusting the angle of the PITCH LFO's waveform
Note: At noon the waveform is a symmetrical triangle wave. Adjusting shape shifts the triangle's rise and fall times, becoming a sawtooth wave when fully counterclockwise and a ramp wave when fully clockwise
0-based
Pitch LFO Amount 20 [0–127] —
Bipolar control over the depth of the PITCH LFO's modulation of its hardwired destinations
Note: When set to noon the amount knob will yield no modulation. Adjusting the knob clockwise from noon will result in positive modulation of the destination while adjusting the knob counterclockwise from noon will result in inverted modulation of the destination
0-based
Pitch LFO OSC 1 21 [0–127]
0-63: Off; 64-127: On
Routes the PITCH LFO to modulate OSCILLATOR 1 when engaged
0-based
Pitch LFO OSC 2 22 [0–127]
0-63: Off; 64-127: On
Routes the PITCH LFO to modulate OSCILLATOR 2 when engaged
0-based
Pitch LFO Mod OSC 23 [0–127]
0-63: Off; 64-127: On
Routes the PITCH LFO to modulate the MODULATION OSCILLATOR when engaged
0-based
Pitch LFO Detune 24 [0–127]
0-63: Off; 64-127: On
Routes the PITCH LFO to modulate the DETUNE knob in the VOICE CONTROL section when engaged
0-based
Modulation Oscillator Frequency 25 [0–127] —
Controls the frequency of the modulation oscillator
0-based
Modulation Oscillator Audio 26 [0–127]
0-63: Off; 64-127: On
Sets the modulation oscillator to operate at audio-rate frequencies
0-based
Modulation Oscillator KB Track 27 [0–127]
0-63: Off; 64-127: On
Enables keyboard control of the frequency of the modulation oscillator
0-based
Modulation Oscillator Waveform 28 [0–127]
0-24: Sine; 25-49: Sawtooth; 50-74: Ramp; 75-99: Square; 100-127: Noise
Selects the waveform of the modulation oscillator
0-based
Modulation Oscillator KB Reset 29 [0–127]
0-63: Off; 64-127: On
Resets the LFO to its starting point in its wave cycle every time a key is pressed
0-based
Modulation Oscillator Unipolar 30 [0–127]
0-63: Off; 64-127: On
Enabled unipolar mode for the modulation oscillator
0-based
Modulation Oscillator Pitch Amount 31 [0–127] —
Determines the depth at which frequency modulation of the oscillator section occurs based on the OSC 1 and OSC 2 routing buttons
0-based
Modulation Oscillator Pitch OSC 1 33 [0–127] —
Enables frequency modulation of OSC 1 via the modulation oscillator
0-based
Modulation Oscillator Pitch OSC 2 34 [0–127] —
Enables frequency modulation of OSC 2 via the modulation oscillator
0-based
Modulation Oscillator PWM Amount 35 [0–127] —
Determines the depth at which pulse width modulation of the oscillator section occurs based on the OSC 1 and OSC 2 routing buttons
0-based
Modulation Oscillator PWM OSC 1 36 [0–127] —
Enables modulation of the duty cycle of the OSC 1 pulse/square waveshape via the modulation oscillator
0-based
Modulation Oscillator PWM OSC 2 37 [0–127] —
Enables modulation of the duty cycle of the OSC 2 pulse/square waveshape via the modulation oscillator
0-based
Modulation Oscillator Filter Amount 39 [0–127] —
Determines the depth at which cutoff frequency modulation of the filter section occurs based on the FILTER 1 and FILTER 2 routing buttons
0-based
Modulation Oscillator Filter 1 40 [0–127] —
Enables cutoff frequency modulation of FILTER 1 via the modulation oscillator
0-based
Modulation Oscillator Filter 2 41 [0–127] —
Enables cutoff frequency modulation of FILTER 2 via the modulation oscillator
0-based
Modulation Oscillator VCA Amount 42 [0–127] —
Determines the depth at which the MODULATION OSCILLATOR will modulate the amplitude of the VCA, providing a tremolo effect
0-based
Modulation Oscillator VCA PAN 43 [0–127] —
Enables pan-position modulation of a voice in the stereo field by inverting the phase of the modulation oscillator sent to the right VCA
0-based
Oscillator 1 Octave 44 [0–127]
0-31: 16'; 32-63: 8'; 64-95: 4'; 96-127: 2'
Selects the octave for OSC 1
Note: The OCTAVE options are 16', 8', 4' and 2' - a standard based around classic pipe organ stop footage settings.
0-based
Oscillator 1 Frequency 45 [0–127] —
Detunes OSC 1 from the pitch associated with a keyboard note
Note: The FREQUENCY knob is a bipolar control, and when set to noon will be in tune with the keyboard note (if a C is pressed, a C will sound based on the OCTAVE setting). Turning the knob clockwise will increase the pitch of the oscillator up to a perfect fifth (+7 semitones) and turning the knob counter-clockwise will decrease the pitch of the oscillator down to a perfect fifth below the note (-7 semitones)
0-based
Oscillator 1 Tri/Saw Mix 46 [0–127] — — 0-based
Oscillator 1 PW 47 [0–127] — — 0-based
Oscillator 1 Wave Mix 48 [0–127] — — 0-based
Oscillator 2 Octave 49 [0–127]
0-31: 16'; 32-63: 8'; 64-95: 4'; 96-127: 2'
Selects the octave for OSC 2
Note: The OCTAVE options are 16', 8', 4' and 2' - a standard based around classic pipe organ stop footage settings.
0-based
Oscillator 2 Frequency 50 [0–127] —
Detunes OSC 2 from the pitch associated with a keyboard note
Note: The FREQUENCY knob is a bipolar control, and when set to noon will be in tune with the keyboard note (if a C is pressed, a C will sound based on the OCTAVE setting). Turning the knob clockwise will increase the pitch of the oscillator up to a perfect fifth (+7 semitones) and turning the knob counter-clockwise will decrease the pitch of the oscillator down to a perfect fifth below the note (-7 semitones)
0-based
Oscillator 2 Tri/Saw Mix 51 [0–127] — — 0-based
Oscillator 2 PW 52 [0–127] — — 0-based
Oscillator 2 Wave Mix 53 [0–127] — — 0-based
Oscillator 2>1 SYNC 54 [0–127]
0-63: Off; 64-127: On
 — 0-based
Oscillator 2>1 FM 55 [0–127]
0-63: Off; 64-127: On
 — 0-based
Oscillator 1>2 FM 56 [0–127]
0-63: Off; 64-127: On
 — 0-based
FM Amount 57 [0–127] — — 0-based
Oscillator 1 Level 58 [0–127] — — 0-based
Oscillator 2 Level 59 [0–127] — — 0-based
Ring Mod Level 60 [0–127] — — 0-based
Modulation Oscillator Level 61 [0–127] — — 0-based
Noise Level 62 [0–127] — — 0-based
Sustain Pedal 64 [0–127]
0-63: Off; 64-127: On
 — 0-based
Clipping Level 65 [0–127] — — 0-based
Filter 1 High Pass 66 [0–127] — — 0-based
Filter 1 Cutoff 67 [0–127] — — 0-based
Filter 1 Resonance 68 [0–127] — — 0-based
Filter 1 Envelope Amount 69 [0–127] — — 0-based
Filter 1 KB Tracking 70 [0–127]
0-42: Off; 43-84: Half; 85-127: Full
 — 0-based
Hold 71 [0–127]
0-63: Off; 64-127: On
 — 0-based
Filter 2 Frequency 72 [0–127] — — 0-based
Filter 2 Resonance 73 [0–127] — — 0-based
Filter 2 Envelope Amount 75 [0–127] — — 0-based
Filter 2 KB Tracking 76 [0–127]
0-42: Off; 43-84: Half; 85-127: Full
 — 0-based
Link Filters 77 [0–127]
0-63: Off; 64-127: On
 — 0-based
Filters Order 78 [0–127]
0-42: Serial; 43-84: Stereo; 85-127: Parallel
 — 0-based
Filter Env Attack 79 [0–127] — — 0-based
Filter Env Sustain 80 [0–127] — — 0-based
Filter Env Delay 81 [0–127] — — 0-based
Filter Env Release 82 [0–127] — — 0-based
Filter Env Loop 83 [0–127]
0-63: Off; 64-127: On
 — 0-based
Filter Env Velocity 85 [0–127]
0-63: Off; 64-127: On
 — 0-based
VCA Env Attack 86 [0–127] — — 0-based
VCA Env Sustain 87 [0–127] — — 0-based
VCA Env Delay 88 [0–127] — — 0-based
VCA Env Release 89 [0–127] — — 0-based
VCA Env Loop 90 [0–127]
0-63: Off; 64-127: On
 — 0-based
VCA Env Velocity 91 [0–127]
0-63: Off; 64-127: On
 — 0-based
Voice Detune 92 [0–127] — — 0-based
Delay Time Left 93 [0–127] — — 0-based
Delay Time Right 94 [0–127] — — 0-based
Link Delays 95 [0–127]
0-63: Off; 64-127: On
 — 0-based
Delay Clock Sync 102 [0–127]
0-63: Off; 64-127: On
 — 0-based
Delay Feedback 103 [0–127] — — 0-based
Delay Character 104 [0–127] — — 0-based
Delay Mix 105 [0–127] — — 0-based
Delay Timbre A 106 [0–127]
0-63: Off; 64-127: On
 — 0-based
Delay Timbre B 107 [0–127]
0-63: Off; 64-127: On
 — 0-based
Voice Unison 108 [0–127]
0-63: Off; 64-127: On
 — 0-based
Voice Mono 109 [0–127]
0-63: Off; 64-127: On
 — 0-based
Sequencer Clock Div 110 [0–127] — — 0-based
Arpeggiator Clock Div 111 [0–127] — — 0-based
Arpeggiator On/Off 112 [0–127]
0-63: Off; 64-127: On
 — 0-based
Arpeggiator FW/BK 113 [0–127]
0-63: Off; 64-127: On
 — 0-based
Arpeggiator Direction 114 [0–127]
0-42: Order; 43-84: Pattern; 85-127: Random
 — 0-based
Arpeggiator Octave Range 115 [0–127]
0-31: 1; 32-63: 2; 64-95: 3; 96-127: 4
 — 0-based
Clock Tempo 116 [0–127] — — 0-based

The portions of this library that refer to specific devices may be owned by the devices' respective manufacturers. Everything else is licensed under the Creative Commons Attribution Share Alike 4.0 International license.