MIDI implementation details for the Haken Audio Slim Continuum.
Last update: June 17, 2026 • 30 parameters
Contributions welcome! You can email us your edited CSV if you don't want to use GitHub.
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Octave Shift | 8 | [0–127] | — |
Shifts playing surface one octave up/down
|
Centered |
| Fine Tune | 10 | [0–127] | — |
Fine tunes pitch in cents
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Mono Switch | 9 | [0–127] | — |
Limits polyphony
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Macro I | 12 | [0–127] | — |
Controls sound parameters
|
Centered |
| Macro II | 13 | [0–127] | — |
Controls sound parameters
Note: For relative mode send on Ch 2 using Binary Offset Mode |
0-based |
| Macro III | 14 | [0–127] | — |
Controls sound parameters
Note: For relative mode send on Ch 2 using Binary Offset Mode |
0-based |
| Macro IV | 15 | [0–127] | — |
Controls sound parameters
Note: For relative mode send on Ch 2 using Binary Offset Mode |
0-based |
| Macro V | 16 | [0–127] | — |
Controls sound parameters
Note: For relative mode send on Ch 2 using Binary Offset Mode |
0-based |
| Macro VI | 17 | [0–127] | — |
Controls sound parameters
Note: For relative mode send on Ch 2 using Binary Offset Mode |
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Post-Level | 18 | [0–127] | — |
Pre-Master section gain
|
0-based |
| Digital In Level | 19 | [0–127] | — |
Level for digital input
|
0-based |
| Pre-Level | 26 | [0–127] | — |
Pre-Master section gain
|
0-based |
| Attenuation | 27 | [0–127] | — |
Output attenuation
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Recirculator R1 | 20 | [0–127] | — |
Diffuse, ModDepth, Noise, Filters
|
0-based |
| Recirculator R2 | 21 | [0–127] | — |
Damping, ModRate, or Offset
|
0-based |
| Recirculator R3 | 22 | [0–127] | — |
Darkness or feedback
|
0-based |
| Recirculator R4 | 23 | [0–127] | — |
Decay or time
|
0-based |
| Recirculator Mix | 24 | [0–127] | — |
Wet/dry mix of recircuclator
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Round initial | 28 | [0–127] | — |
Amount of note rounding
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Sustain | 64 | [0–127] | — |
Sustains sound
|
0-based |
| Sustenuto 1 | 66 | [0–127] | — |
Sustains sound
|
0-based |
| Sustenuto 2 | 69 | [0–127] | — |
Sustains sound
|
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| Stretch | 65 | [0–127] | — |
Stretched intervals
Note: 0 = normal intervals, 127 = twice stretched intervals |
0-based |
| Parameter | CC | Range | Usage | Description | Orientation |
|---|---|---|---|---|---|
| EQ Tilt | 83 | [0–127] | — |
Set balance between low and high frequencies
|
Centered |
| EQ Crossover | 84 | [0–127] | — |
EQ freq crossover poin
Note: 0 = 120Hz, 127 = 15Khz |
0-based |
| EQ Mix | 85 | [0–127] | — |
Set EQ wet/dry mix ratio
Note: 0 = EQ bypassed, 64 = half-filtered / half-dry, 127 = all EQ |
0-based |
| Parameter | CC | Range | Usage | Orientation |
|---|---|---|---|---|
| Threshold/Drive | 90 | [0–127] | — | 0-based |
| Attack/NA | 91 | [0–127] | — | 0-based |
| Ratio/Makeup | 92 | [0–127] | — | 0-based |
| Mix | 93 | [0–127] | — | 0-based |
This dataset is provided under the Creative Commons Attribution Share Alike 4.0 International license.