Diagram of the front panel of the Enjoy Electronics The GodFather
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Enjoy Electronics The GodFather MIDI CCs & NRPNs

MIDI implementation details for the Enjoy Electronics The GodFather.

Last update: April 17, 2026 • 66 parameters

Contributions welcome! You can email us your edited CSV if you don't want to use GitHub.

Channel 1, trigger

Parameter CC Range Usage Orientation
Trigger 32 [0–1]
0: Off; 1: Trigger
 0-based

Channel 1, saturator

Parameter CC Range Usage Orientation
Saturator 3 [0–127] — 0-based

Channel 1, filter

Parameter CC Range Usage Description Orientation
Filter 7 [0–127]
0~63: Low-pass cutoff; 64: No filter; 65~127: High-pass cutoff
 — Centered
FDP filter 104 [0–21]
0~10: Low-pass cutoff; 11~20: High-pass cutoff; 21: No filtering
Note: Manual states '11 No filtering' but range appears to extend to 21; 21 is likely the no-filter value (probable manual typo)
0-based

Channel 1, delay

Parameter CC Range Usage Description Orientation
Delay amount 4 [0–127] — — 0-based
Delay time 90 [0–127] —
Note: MIDI In only
0-based
Delay offset 94 [0–127] —
Note: MIDI In only
0-based
Delay feedback 98 [0–127] —
Note: MIDI In only
0-based

Channel 1, double pulse delay

Parameter CC Range Usage Orientation
Double pulse delay level 5 [0–127] — 0-based
Double pulse delay line 1 position 82 [0–127]
0-16: Position 0; 17-33: Position 1; 34-49: Position 2; 50-66: Position 3; 67-83: Position 4; 84-99: Position 5; 100-116: Position 6; 117-127: Position 7
 0-based
Double pulse delay line 2 position 86 [0–127]
0-16: Position 0; 17-33: Position 1; 34-49: Position 2; 50-66: Position 3; 67-83: Position 4; 84-99: Position 5; 100-116: Position 6; 117-127: Position 7
 0-based

Channel 1, reverb

Parameter CC Range Usage Orientation
Reverb send 6 [0–127] — 0-based

Channel 1, mixer

Parameter CC Range Usage Description Orientation
Volume level 70 [0–100] — — 0-based
Pan 74 [0–127]
0~63: Left; 64: Centre; 65~127: Right
 — Centered
Width 78 [0–100] —
Note: Inverted: 0 is widest; higher values narrow the stereo field
0-based

Channel 2, trigger

Parameter CC Range Usage Orientation
Trigger 33 [0–1]
0: Off; 1: Trigger
 0-based

Channel 2, saturator

Parameter CC Range Usage Orientation
Saturator 8 [0–127] — 0-based

Channel 2, filter

Parameter CC Range Usage Description Orientation
Filter 12 [0–127]
0~63: Low-pass cutoff; 64: No filter; 65~127: High-pass cutoff
 — Centered
FDP filter 105 [0–21]
0~10: Low-pass cutoff; 11~20: High-pass cutoff; 21: No filtering
Note: Manual states '11 No filtering' but range appears to extend to 21; 21 is likely the no-filter value (probable manual typo)
0-based

Channel 2, delay

Parameter CC Range Usage Description Orientation
Delay amount 9 [0–127] — — 0-based
Delay time 91 [0–127] —
Note: MIDI In only
0-based
Delay offset 95 [0–127] —
Note: MIDI In only
0-based
Delay feedback 99 [0–127] —
Note: MIDI In only
0-based

Channel 2, double pulse delay

Parameter CC Range Usage Orientation
Double pulse delay level 10 [0–127] — 0-based
Double pulse delay line 1 position 83 [0–127]
0-16: Position 0; 17-33: Position 1; 34-49: Position 2; 50-66: Position 3; 67-83: Position 4; 84-99: Position 5; 100-116: Position 6; 117-127: Position 7
 0-based
Double pulse delay line 2 position 87 [0–127]
0-16: Position 0; 17-33: Position 1; 34-49: Position 2; 50-66: Position 3; 67-83: Position 4; 84-99: Position 5; 100-116: Position 6; 117-127: Position 7
 0-based

Channel 2, reverb

Parameter CC Range Usage Orientation
Reverb send 11 [0–127] — 0-based

Channel 2, mixer

Parameter CC Range Usage Description Orientation
Volume level 71 [0–100] — — 0-based
Pan 75 [0–127]
0~63: Left; 64: Centre; 65~127: Right
 — Centered
Width 79 [0–100] —
Note: Inverted: 0 is widest; higher values narrow the stereo field
0-based

Channel 3, trigger

Parameter CC Range Usage Orientation
Trigger 34 [0–1]
0: Off; 1: Trigger
 0-based

Channel 3, saturator

Parameter CC Range Usage Orientation
Saturator 13 [0–127] — 0-based

Channel 3, filter

Parameter CC Range Usage Description Orientation
Filter 17 [0–127]
0~63: Low-pass cutoff; 64: No filter; 65~127: High-pass cutoff
 — Centered
FDP filter 106 [0–21]
0~10: Low-pass cutoff; 11~20: High-pass cutoff; 21: No filtering
Note: Manual states '11 No filtering' but range appears to extend to 21; 21 is likely the no-filter value (probable manual typo)
0-based

Channel 3, delay

Parameter CC Range Usage Description Orientation
Delay amount 14 [0–127] — — 0-based
Delay time 92 [0–127] —
Note: MIDI In only
0-based
Delay offset 96 [0–127] —
Note: MIDI In only
0-based
Delay feedback 100 [0–127] —
Note: MIDI In only
0-based

Channel 3, double pulse delay

Parameter CC Range Usage Orientation
Double pulse delay level 15 [0–127] — 0-based
Double pulse delay line 1 position 84 [0–127]
0-16: Position 0; 17-33: Position 1; 34-49: Position 2; 50-66: Position 3; 67-83: Position 4; 84-99: Position 5; 100-116: Position 6; 117-127: Position 7
 0-based
Double pulse delay line 2 position 88 [0–127]
0-16: Position 0; 17-33: Position 1; 34-49: Position 2; 50-66: Position 3; 67-83: Position 4; 84-99: Position 5; 100-116: Position 6; 117-127: Position 7
 0-based

Channel 3, reverb

Parameter CC Range Usage Orientation
Reverb send 16 [0–127] — 0-based

Channel 3, mixer

Parameter CC Range Usage Description Orientation
Volume level 72 [0–100] — — 0-based
Pan 76 [0–127]
0~63: Left; 64: Centre; 65~127: Right
 — Centered
Width 80 [0–100] —
Note: Inverted: 0 is widest; higher values narrow the stereo field
0-based

Channel 4, trigger

Parameter CC Range Usage Orientation
Trigger 35 [0–1]
0: Off; 1: Trigger
 0-based

Channel 4, saturator

Parameter CC Range Usage Orientation
Saturator 18 [0–127] — 0-based

Channel 4, filter

Parameter CC Range Usage Description Orientation
Filter 22 [0–127]
0~63: Low-pass cutoff; 64: No filter; 65~127: High-pass cutoff
 — Centered
FDP filter 107 [0–21]
0~10: Low-pass cutoff; 11~20: High-pass cutoff; 21: No filtering
Note: Manual states '11 No filtering' but range appears to extend to 21; 21 is likely the no-filter value (probable manual typo)
0-based

Channel 4, delay

Parameter CC Range Usage Description Orientation
Delay amount 19 [0–127] — — 0-based
Delay time 93 [0–127] —
Note: MIDI In only; on MIDI Out CC 93 carries global delay time changes instead of channel 4
0-based
Delay offset 97 [0–127] —
Note: MIDI In only; on MIDI Out CC 97 carries global delay offset changes instead of channel 4
0-based
Delay feedback 101 [0–127] —
Note: MIDI In only; on MIDI Out CC 101 carries global delay feedback changes instead of channel 4
0-based

Channel 4, double pulse delay

Parameter CC Range Usage Orientation
Double pulse delay level 20 [0–127] — 0-based
Double pulse delay line 1 position 85 [0–127]
0-16: Position 0; 17-33: Position 1; 34-49: Position 2; 50-66: Position 3; 67-83: Position 4; 84-99: Position 5; 100-116: Position 6; 117-127: Position 7
 0-based
Double pulse delay line 2 position 89 [0–127]
0-16: Position 0; 17-33: Position 1; 34-49: Position 2; 50-66: Position 3; 67-83: Position 4; 84-99: Position 5; 100-116: Position 6; 117-127: Position 7
 0-based

Channel 4, reverb

Parameter CC Range Usage Orientation
Reverb send 21 [0–127] — 0-based

Channel 4, mixer

Parameter CC Range Usage Description Orientation
Volume level 73 [0–100] — — 0-based
Pan 77 [0–127]
0~63: Left; 64: Centre; 65~127: Right
 — Centered
Width 81 [0–100] —
Note: Inverted: 0 is widest; higher values narrow the stereo field
0-based

Global

Parameter CC Range Usage Orientation
Reverb size 23 [0–127] — 0-based
Reverb amount 24 [0–127] — 0-based
Reverb filter 25 [0–127] — 0-based
LFO 1 amount 26 [0–127] — 0-based
LFO 2 amount 27 [0–127] — 0-based
Master 28 [0–127] — 0-based

This dataset is provided under the Creative Commons Attribution Share Alike 4.0 International license.