Diagram of the front panel of the Access Virus TI
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Access Virus TI MIDI CCs & NRPNs

MIDI implementation details for the Access Virus TI.

Last update: September 10, 2024 • 126 parameters

Contributions welcome! You can email us your edited CSV if you don't want to use GitHub.

Controllers

Parameter CC Range Usage Orientation
MOD Wheel 1 [0–127] — 0-based
CTRL Breath 2 [0–127] — 0-based
Controller 3 3 [0–127] — 0-based
CTRL Foot 4 [0–127] — 0-based
CTRL Data 6 [0–127] — 0-based
Controller 9 9 [0–127] — 0-based
CTRL Expression 11 [0–127] — 0-based
Controller 12 12 [0–127] — 0-based
Controller 13 13 [0–127] — 0-based
Controller 14 14 [0–127] — 0-based
Controller 15 15 [0–127] — 0-based
Controller 16 16 [0–127] — 0-based
Controller 50 50 [0–127] — 0-based
CTRL Hold Pedal 64 [0–127] — 0-based
CTRL Glide Pedal 65 [0–127] — 0-based
CTRL Sostenuto Pedal 66 [0–127] — 0-based
Controller 92 92 [0–127] — 0-based
Controller 95 95 [0–127] — 0-based
Controller 96 96 [0–127] — 0-based
Controller 111 111 [0–127] — 0-based
Controller 120 120 [0–127] — 0-based
Controller 121 121 [0–127] — 0-based
Controller 124 124 [0–127] — 0-based
Controller 125 125 [0–127] — 0-based
Controller 126 126 [0–127] — 0-based
Controller 127 127 [0–127] — 0-based

General

Parameter CC Range Usage Orientation
Glide Time 5 [0–127] — 0-based
Volume 91 [0–127] — 0-based
Balance 8 [0–127] — Centered
PAN 10 [0–127] — Centered
Bank Select 32 [0–127] — 0-based
Transpose 93 [0–127] — Centered
KEY Mode 94 [0–127] — 0-based
Unison Mode 97 [0–127] — 0-based
Unison Detune 98 [0–127] — 0-based
Unison Spread 99 [0–127] — 0-based
Input Mode 101 [0–127] — 0-based
Input Select 102 [0–127] — 0-based
Keyboard Local 122 [0–127] — 0-based
ALL Notes OFF 123 [0–127] — 0-based

Oscillators

Parameter CC Range Usage Orientation
OSC1 Shape 17 [0–127] — 0-based
OSC1 Pulsewidth 18 [0–127] — 0-based
OSC1 Wave Select 19 [0–99]
0: Sine; 1: HarmncSweep; 2: Glass Sweep; 3: Draw Bars; 4: Clusters; 5: Insine Out; 6: Landing; 7: Liquid Metal; 8: Opposition; 9: Overtunes 1; 10: Overtunes 2; 11: Scale Trix; 12: Sine Rider; 13: Sqr Series; 14: Upsine Down; 15: Thumbs Up; 16: Waterphone; 17: E-Chime; 18: Tinkabell; 19: Bellfizz; 20: Bellentine; 21: Robot Wars; 22: Alternator; 23: Finger Bass; 24: Fizzybar; 25: Flutes; 26: HP Love; 27: Majestix; 28: Hotch Potch; 29: Resynater; 30: Smooth Rough; 31: Sawsalito; 32: Bells 1; 33: Bells 2; 34: SportReport; 35: Metal Guru; 36: Bat Cave; 37: Acetate; 38: Buzzbizz; 39: Buzzpartout; 40: Vanish; 41: Overbones; 42: Pulsechecker; 43: Stratosfear; 44: Sooty Sweep; 45: Throaty; 46: Didgitalis; 47: Evil; 48: Chords; 49: FM Grit; 50: Bellsarnie; 51: Octavius; 52: Eat Pulse; 53: Sinzin; 54: Sine System; 55: Clip Sweep; 56: Roughage; 57: Waving; 58: Pling Saw; 59: E-Peas; 60: Bump Sweep; 61: Filter Sqr; 62: Fourmant; 63: Formantera; 64: Sundial 1; 65: Sundial 2; 66: Sundial 3; 67: Clipdial 1; 68: Clipdial 2; 69: Voxonix; 70: Solenoid; 71: KlingKlang; 72: Violator; 73: Potassium; 74: Pile Up; 75: Tincanali; 76: Sniper; 77: Squeezy; 78: Decomposer; 79: Morfants; 80: Pingvox; 81: Adenoids; 82: Nasal; 83: Partialism; 84: TableDance; 85: Cascade; 86: Prismism; 87: Friction; 88: Robotix; 89: Whizzfizz; 90: Spangly; 91: Fluxbin; 92: Fiboglide; 93: Fibonice; 94: Fibonasty; 95: Penetrator; 96: Blinder; 97: Element 5; 98: Bad Signs; 99: Dominatrix
 0-based
OSC1 Semitone 20 [0–127] — Centered
OSC1 Key Follow 21 [0–127] — Centered
OSC2 Shape 22 [0–127] — 0-based
OSC2 Pulsewidth 23 [0–127] — 0-based
OSC2 Wave Select 24 [0–127] — 0-based
OSC2 Semitone 25 [0–127] — Centered
OSC2 Detune 26 [0–127] — 0-based
OSC2 FM Amount 27 [0–127] — 0-based
OSC2 Sync 28 [0–1]
0: Off; 1: On
 0-based
OSC2 Filter EG AMT 29 [0–127] — Centered
OSC2 Key Follow 31 [0–127] — Centered
Subosc Shape 35 [0–127] — 0-based
Noise Color 39 [0–127] — 0-based
OSC1 LFO1 AMT 74 [0–127] — Centered
OSC2 LFO1 AMT 75 [0–127] — Centered

Filter

Parameter CC Range Usage Orientation
Filter FM EG AMT 30 [0–127] — Centered
Filter1 Cutoff 40 [0–127] — 0-based
Filter2 Cutoff 41 [0–127] — 0-based
Filter1 Resonance 42 [0–127] — 0-based
Filter2 Resonance 43 [0–127] — 0-based
Filter1 EG AMT 44 [0–127] — 0-based
Filter2 EG AMT 45 [0–127] — 0-based
Filter1 Key Follow 46 [0–127] — Centered
Filter2 Key Follow 47 [0–127] — Centered
Filter Balance 48 [0–127] — Centered
Saturation Curve 49 [0–127] — 0-based
Filter1 Mode 51 [0–7]
0: Low Pass; 1: High Pass; 2: Band Pass; 3: Band Stop; 4: Analog 1 Pole; 5: Analog 2 Pole; 6: Analog 3 Pole; 7: Analog 4 Pole
 0-based
Filter2 Mode 52 [0–7]
0: Low Pass; 1: High Pass; 2: Band Pass; 3: Band Stop; 4: Analog 1 Pole; 5: Analog 2 Pole; 6: Analog 3 Pole; 7: Analog 4 Pole
 0-based
Filter Routing 53 [0–3]
0: Serial 4; 1: Serial 6; 2: Parallel 4; 3: Split Mode
 0-based
Filter EG Attack 54 [0–127] — 0-based
Filter EG Decay 55 [0–127] — 0-based
Filter EG Sustain 56 [0–127] — 0-based
Filter EG SUS Time 57 [0–127] — Centered
Filter EG Release 58 [0–127] — 0-based

Mix

Parameter CC Range Usage Orientation
OSC Balance 33 [0–127] — Centered
Subosc Volume 34 [0–127] — 0-based
OSC Mainvolume 36 [0–127] — 0-based
Noise Volume 37 [0–127] — 0-based
Ringmod Volume 38 [0–127] — 0-based

Envelopes

Parameter CC Range Usage Orientation
AMP EG Attack 59 [0–127] — 0-based
AMP EG Decay 60 [0–127] — 0-based
AMP EG Sustain 61 [0–127] — 0-based
AMP EG SUS Time 62 [0–127] — Centered
AMP EG Release 63 [0–127] — 0-based

LFO

Parameter CC Range Usage Orientation
LFO1 Rate 67 [0–127] — 0-based
LFO1 Shape 68 [0–67]
0: Sine; 1: Triangle; 2: Sawtooth; 3: Pulse; 4: S+H; 5: S+G; 6: Wave 3; 7: Wave 4; 8: Wave 5; 9: Wave 6; 10: Wave 7; 11: Wave 8; 12: Wave 9; 13: Wave 10; 14: Wave 11; 15: Wave 12; 16: Wave 13; 17: Wave 14; 18: Wave 15; 19: Wave 16; 20: Wave 17; 21: Wave 18; 22: Wave 19; 23: Wave 20; 24: Wave 21; 25: Wave 22; 26: Wave 23; 27: Wave 24; 28: Wave 25; 29: Wave 26; 30: Wave 27; 31: Wave 28; 32: Wave 29; 33: Wave 30; 34: Wave 31; 35: Wave 32; 36: Wave 33; 37: Wave 34; 38: Wave 35; 39: Wave 36; 40: Wave 37; 41: Wave 38; 42: Wave 39; 43: Wave 40; 44: Wave 41; 45: Wave 42; 46: Wave 43; 47: Wave 44; 48: Wave 45; 49: Wave 46; 50: Wave 47; 51: Wave 48; 52: Wave 49; 53: Wave 50; 54: Wave 51; 55: Wave 52; 56: Wave 53; 57: Wave 54; 58: Wave 55; 59: Wave 56; 60: Wave 57; 61: Wave 58; 62: Wave 59; 63: Wave 60; 64: Wave 61; 65: Wave 62; 66: Wave 63; 67: Wave 64
 0-based
LFO1 EG Mode 69 [0–1]
0: Off; 1: On
 0-based
LFO1 Mode 70 [0–1]
0: Poly; 1: Mono
 0-based
LFO1 Symmetry 71 [0–127] — Centered
LFO1 Keyboard 72 [0–127] — 0-based
LFO1 Restart 73 [0–127] — 0-based
PW LFO1 AMT 76 [0–127] — Centered
Reso LFO1 AMT 77 [0–127] — Centered
Filtergain LFO1 AMT 78 [0–127] — Centered
LFO2 Rate 79 [0–127] — 0-based
LFO2 Shape 80 [0–67]
0: Sine; 1: Triangle; 2: Sawtooth; 3: Pulse; 4: S+H; 5: S+G; 6: Wave 3; 7: Wave 4; 8: Wave 5; 9: Wave 6; 10: Wave 7; 11: Wave 8; 12: Wave 9; 13: Wave 10; 14: Wave 11; 15: Wave 12; 16: Wave 13; 17: Wave 14; 18: Wave 15; 19: Wave 16; 20: Wave 17; 21: Wave 18; 22: Wave 19; 23: Wave 20; 24: Wave 21; 25: Wave 22; 26: Wave 23; 27: Wave 24; 28: Wave 25; 29: Wave 26; 30: Wave 27; 31: Wave 28; 32: Wave 29; 33: Wave 30; 34: Wave 31; 35: Wave 32; 36: Wave 33; 37: Wave 34; 38: Wave 35; 39: Wave 36; 40: Wave 37; 41: Wave 38; 42: Wave 39; 43: Wave 40; 44: Wave 41; 45: Wave 42; 46: Wave 43; 47: Wave 44; 48: Wave 45; 49: Wave 46; 50: Wave 47; 51: Wave 48; 52: Wave 49; 53: Wave 50; 54: Wave 51; 55: Wave 52; 56: Wave 53; 57: Wave 54; 58: Wave 55; 59: Wave 56; 60: Wave 57; 61: Wave 58; 62: Wave 59; 63: Wave 60; 64: Wave 61; 65: Wave 62; 66: Wave 63; 67: Wave 64
 0-based
LFO2 EG Mode 81 [0–1]
0: Off; 1: On
 0-based
LFO2 Mode 82 [0–1]
0: Poly; 1: Mono
 0-based
LFO2 Symmetry 83 [0–127] — Centered
LFO2 Keyboard 84 [0–127] — 0-based
LFO2 Restart 85 [0–127] — 0-based
OSC SHP LFO2 AMT 86 [0–127] — Centered
FM LFO2 AMT 87 [0–127] — Centered
Filter1 LFO2 AMT 88 [0–127] — Centered
Filter2 LFO2 AMT 89 [0–127] — Centered
PAN LFO2 AMT 90 [0–127] — Centered
Unison LFO Phase 100 [0–127] — 0-based

FX

Parameter CC Range Usage Orientation
Chorus Type 103 [0–6]
0: Off; 1: Classic; 2: Vintage; 3: Hyper Chorus; 4: Air Chorus; 5: Vibrato; 6: Rotary Speaker
 0-based
Chorus Mix 104 [0–127] — 0-based
Chorus Classic Mix 105 [0–127] — 0-based
Chorus Rate 106 [0–127] — 0-based
Chorus Depth 107 [0–127] — 0-based
Chorus Delay 108 [0–127] — 0-based
Chorus Feedback 109 [0–127] — Centered
Chorus LFO Shape 110 [0–5]
0: Sine; 1: Triangle; 2: Sawtooth; 3: Square; 4: S&H; 5: S&G
 0-based
Delay Verb Mode 112 [0–127] — 0-based
Effect Send 113 [0–127] — 0-based
Delay Time 114 [0–127] — 0-based
Delay Feedback 115 [0–127] — 0-based
Delay Verb Time 116 [0–127] — 0-based
Delay Verb Size 117 [0–127] — 0-based
Delay LFO Shape 118 [0–127] — 0-based
Delay Color 119 [0–127] — 0-based

This dataset is provided under the Creative Commons Attribution Share Alike 4.0 International license.